9 Lightboxes ，2022
400 cm x 380 cm
PVC Color Print
北藝美術系館的南北走廊，其落地窗的畫面被窗框切分成九個獨立的透視點，如同相機構圖用的網格。透過攝影在此空間執行一件現地製作，將照片輸出並張貼於玻璃窗上，在日光照明的時間以室外光使作品透光，如同具時效性的燈箱。
影像中的畫面為一站立於窗外草坪的石頭上的男子，臉部因為過度曝光而無法辨識。PVC輸出材質本身帶有半透明的特性，畫面會隨著觀者的移動而與窗外的實景疊合，我想試著去提問關於複製真實，並在光線的變化下使兩者的關係變得曖昧模糊。
The floor-to-ceiling window space in Nan-Bei Gallery is divided into nine separate compositions, like a grid for the camera. I executed site-specific art in this space through photography, by posting photographs on the glass surface and using outdoor light to highlight during daylight hours, like a time-sensitive lightbox.
The image shows a man who standing on the stone in a lawn outside the window, his face is unidentified due to overexposure.The PVC print is translucent, as the viewer changes their perspective, the image will overlap with the real scene outside the window. I wanted to talk about duplicate the reality, and made the opacity ambiguous with the change of light and perspective.
